The central point of the idea was the feeling that came from living with the landscape, which largely had to do with the sensation of feeling fully integrated with nature. There was always a positive exchange in this relationship. I constantly found new things and through discovery, I understood its strength and its plasticity. I realized that when I gave something of myself to this relationship, I received in return the awareness of being part of something much bigger and more elaborate than anything else I could imagine.

The Fleeting Induction series was born out of the blue. One day, nothing seemed to work the way I wanted, the next day there it was, with that magical fluidity, opening new ground , which until then had been invisible to my eyes.

My fascination with the seascape grew with me. Looking at that immense amount of water always instigated my imagination; it was a dubious experience, with its side of harmony and pleasure and at the same time of discomfort and fear.

The moment when change happens, is powerful, mainly because we don't understand how this happens, but we accept it, perhaps because we believe it is a result for doing and redoing the same thing countless times.

Nothing comes out of nowhere, there is always something from which the work is born. Observing nature is a way of recreating and filling the vision that will make a difference between what we do, than everyone else does.

From my perspective, it was fascinating to witness the "metamorphosis of timeless nature," where any idea imaginable could fit